7.31.2018

herstory

From time to time it’s good to take stock. Review the inventory. Add it together, clean it out, and tidy it up. And since I was making some arty changes to the blog, I thought I'd offer my new and improved blog biography, which I call my herstory. Please enjoy.


These two, artistically altered typewriter keys were found in a Seattle street market. My friend bought them, for daily inspiration. Storm? Row! Years later, when I met some of my first creative struggles, she passed the keys to me as a reminder: in the midst of heavy weather, just keep rowing. 

And I do. And here I am, the owner and creator behind the not-so-big storm row studio. Day to day, I draft manuscripts for submission and create art pieces for sale. I feel lucky to have a knack for using words and art to build worlds and tell stories.

With my illustrated (or art) novels, the characters curate between the chapters. Meaning, it’s their art the reader finds tucked in the pages. Also, their diaries, doodles, handwritten letters. Their ephemera. That kind of thing. It’s been said that I make books for and about kids and young adults. That’s true. But also, for me, characters arrive stuck in a boat with a storm hovering and my job is to get them to the shore. So, really, I write for any reader, of any age, who enjoys sorting out the mysteries and triumphs of that trip to solid ground.

As for my art, the characters and the world they live in inspire the illustrations for the novels, and whether for the cover or interior, the work is designed and representational. My stand-alone mixed media pieces are more conceptual. Abstract. Color and texture drive the process. But sometimes the piece wants to be something specific. My cityscapes are an example of that.

I mostly work on canvas, combining acrylics and all matter of media. I enjoy using watercolor, embroidery, and collage. And because I strive to create eco- and human-friendly work, I look for safe supplies and purposefully purpose every scrap, left-over, and glob of paint, glue, or glaze. Sometimes I even upcycle used canvas. Hooray.

My recent past includes a five-year art showcase at homeology, a green home interiors boutique in Scottsdale, Arizona, and an independently published YA novel, wildflowers, which met a nice bit of attention and good reviews. Now I focus sales on Etsy and shares on Patreon. In the end, with all my handmade goods, I aim for a lovely freshness and pretty otherness that’s unique to storm row style.

7.30.2018

rainbows: everywhere

solids

stripes

dots

and

the 

like.



Media Sharing Note:

This rainbows: everywhere post is part of storm row studio's media sharing series called DRIFTWOOD. DRIFTWOOD posts appear on my Patreon page, and in the case of rainbows, STORIES Patrons get exclusive access to any story shorts and snippets inspired by these arcs of color. To become a STORIES Patron, click here and sign up for the $2 monthly tier. Once you do, you have an immediate pass to all STORIES posts, including DRIFTWOOD: rainbow tales everywhere posts. A great value.

7.09.2018

rainbows: everywhere

from the glass table top.


through the air.


to the floor.


it keeps every ounce of its brilliance.

7.01.2018

rmack: gongoozler

gongoozler  n.  one who stares for hours at anything out of the ordinary

~~~

Today I'm gongoozling two, arty picture books that feature cityscapes. If you want to support these authors, illustrators, and their work, check out their books from the library, buy their books at your local independent bookseller, and share reviews and news on social media sites. 

~~~

What If... Written by Samantha Berger, Illustrated by Mike Curato


And Peggy Written & Illustrated by Anna Walker


What If...

Before cracking the spine, I heard this book was a successful example of mixing media.


This book is all about creativity and the imagination. Just look at this wonderful spread.


And what's that tucked into the center? A magnificent building, grounding the character in her imagination. Later, the illustrator uses more photographs to return us to reality.


Really beautiful.

Peggy

Peggy is the main chicken in Peggy. She's fantastic.


And her shoes are certainly gongoozle-worthy.

Also great for a walk around the city.


Two words: simply breathtaking.

Walker knows how to capture a city in its congested busy moments and its quieter moments too. 


For me, Peggy is fine art.


Sure, I can study Walker's city scenes for hours, but she's also makes good use of pacing, negative space, and humor. She definitely elevates the city as a setting to the highest level of gongoozlery.

This post is part of a media sharing project called driftwood. driftwood posts appear on my Patreon page and expand the content of storm row studio's blog posts with added commentary, art, or storytelling. There are both public and patron-only driftwood posts. Click here to see the Patreon version of this post.
.

6.18.2018

rainbows: everywhere


brilliant, clear rainbows
often happen here.
and double rainbows?
easy.


Media Sharing Note:

This rainbows: everywhere post is part of storm row studio's media sharing series called DRIFTWOOD. DRIFTWOOD posts appear on my Patreon page, and in the case of rainbows, STORIES Patrons get exclusive access to any story shorts and snippets inspired by these arcs of color. To become a STORIES Patron, click here and sign up for the $2 monthly tier. Once you do, you have an immediate pass to all STORIES posts, including DRIFTWOOD: rainbow tales everywhere posts. A great value.

5.28.2018

5.22.2018

i mean...


A Note: If you'd like to read a story short about this i mean... moment, consider joining Patreon and becoming a storm row STORIES member. For $2 a month ($24 a year) you gain access to all kinds of STORIES posts. To sign up, click here.

5.16.2018

She Did It Anyway Interview

“The flowers don’t know they’re late bloomers. They’re right in season.” Debra Eve

By the time I was seven or eight, I understood my creativity as a lifeline. I knew it could keep me secure in rough waters or the face of danger, or straight-up save me. But whether I count that time of knowing or not, there’s no doubt that the first steps I took toward becoming a daily writer and artist came late. And the path to success—what I define as success—stretches off into the distance, winding around and through and beyond. Because I am a late bloomer, my journey won’t be or feel the same as it would if I was young. I know this. I also know what I want to accomplish and where I’d like to slow and bloom. Luckily, more and more, I’m finding wonderful, mature woman-maker role models to offer their take on and guidance into creative marketplaces. Still, these women have quote-unquote made it. What I’d like to see is the older, female Creative who is midstride, being pulled in many directions, juggling many responsibilities, and sometimes, carrying more than her share of the weight, and yet, she creates anyway. She is my peer and I’d like to see more stories about her.

You can’t be what you can’t see.” Marian Wright Edelman

Lately, and often, we hear more about inclusion and diversity in all fields of art. I love this movement because including all kinds of people from all walks of life in conversations, art making, and art exhibits elevates humankind’s collective creativity. And it’s not difficult. By simply deciding to make room for everyone, there’s room, and things instantly become rich with perspective and inspiration. The reverse of this—making the creative life unavailable to anyone outside the mainstream, whether intentional or not—perpetuates creative deserts, where people don’t try to become or even dream about becoming Makers. We can’t be what we can’t see, which is why I’m doing my part, however small, to showcase Creatives who don't necessarily fit the mold because of lack of platform, status, or due to age. We don't often get to see these Creatives, but they're out there, doing it anyway.

“Women may be the one group that grows more radical with age.” Gloria Steinem

Welcome to the She Did It Anyway interview series, featuring women I know or meet who are my creative peers. These are women and woman-identifying artists who create and make and hone their craft in spite of busy, hectic lives, changing health, and aging. These Creatives have long passed hobby and seek personalized success. One that fits their lives, elevates their craft, and positively impacts their standard of living. Because we all cycle through this in-between, I hope you will support them. And I hope you enjoy this celebration of all that connects us as creative beings.

She Did It Anyway

Shirley Gerner of Stitches and Scraps
Knitter, Scrapbooker, Journal-Maker

Recently, Shirley joined storm row studio's Etsy boutique as a member, bringing the useful, knitted wares from her Stitches & Scraps workshop to the online marketplace for the first time. Shirley also sells knitted goods at Practical Art Retail and Gallery in Phoenix, Arizona and creates commissioned pieces including journals, greeting cards, and knitware for private clients. She's participated in large one-time knit donation drives like the 2017 Pussyhat Project for the Women's March in Washington D.C. as well as the yearly hat drive for American Heart Association's Little Hats Big Hearts program. She's operated the blog One Woman's Whims since 2013, and though all this may seem like a far cry from her decades-long career as an insurance professional, creative doings have been part of her life since she was a young girl. Also, her primary client was Hallmark (as in Hallmark Cards) so even in the necessary and practical world of insurance, she was still surrounded by art. Catching up with Shirley isn't difficult. She happens to be my mom, and for this interview, she agreed to talk about all things knitting.

Rhonda: What’s your earliest memory of knitting?

Shirley:
When I was about 10 years old I loved watching my Aunt Katherine crochet these beautiful baby blankets, sweaters and doilies. Her and my uncle came to visit us in California one year and she decided it was time for me to learn to crochet. I was already embroidering pillow cases so I thought how much harder can this be.  

Bless her heart, I will never forget us sitting on the couch in the heat of the day and her patiently trying to teach me this art of crocheting. I just couldn’t get the hang of it.

After that I wasn’t too interested in learning any other needlework until I took an elective homemaking class in high school. One of the lessons was learning to knit. My very first attempt was to knit socks, which I did, but not very well. Then I tried making a sweater, again not very well. My third attempt was a baby blanket and I loved it. I was then hooked on knitting.

Over the years life took me away from knitting when I began sewing clothes for my girls. After retiring the second time I found a knitting class at the local community center and decided to brush up on my skills. That was about 13 years ago and I haven’t stopped since.        


Rhonda: What draws you to knitting?

Shirley:
First let me say that I love going into a yarn shop or the yarn section of a craft store. As you walk through the door or down an aisle all these beautiful colors greet you with the possibility of a finished project. There’s this hush that surrounds you as you move from bin to bin. People are softly talking or laughing around me but I’m tuned into what I can do with all this yarn. I usually buy way more than I had intended because there’s always a project waiting to be started.


Knitting is very calming for me. It relaxes me and allows my mind to focus on what I’m working on and not what’s going on around me on a daily basis. I love watching how quickly a few stitches of a pattern produces a useful article right there in your hands. Yes, there are times my projects don’t work out and yes, I’ve had to tear out more than my share of stitches, but that’s how I learn.


Rhonda: What advice would you give a 1st time knitter?


Shirley:
Experiment with different types of yarn and knitting needles. I prefer bamboo needles. I know a lot of people like the aluminum. Once you find your favorite yarn and needles start with a simple pattern. You should be able to knit, purl, cast on and bind off.

From there it just takes practice and patience. Using the basics you can make almost anything. If you don’t understand the pattern or stitch there are YouTube instructions that are very helpful and most yarn shops are more than happy to help new knitters over the hump.   







Rhonda: What suggestions do you have regarding hand health and/or taking care during knitting projects?


Shirley:
It’s very important to take a break at least once every hour or two. Stand up, stretch or go for a short walk. I wish I had followed this advice when I was younger. 
Recently I learned that knitting with cotton can be very hard on your hands, so frequent breaks are important for hand health. It never occurred to me that the type of yarn we use could affect our hands, fingers and joints.  
As I’ve aged I have some aches and pains in my hands when I do a lot of knitting. I’ve found that hand exercises are a must. I found a blog that has great hand exercises for knitters. Here's the link: We Are Knitters.

Rhonda: Have you read any good knitting books? Fiction or nonfiction?
Shirley:
My favorite knitting magazine is Knitting Traditions.
My favorite nonfiction knitting book is Vintage Knits by Hadley Fierlinger.
For fun I like to read Debbie Macomber’s fiction books about a little knit shop on Blossom Street in Seattle Washington that’s called “A Good Yarn”. The owner is a woman, whose dream is to start a new life free from cancer. Four other women are brought together by knitting classes with personalities that are all different and unique. These books are a fast, fun read that most knitters can relate to.



Rhonda: Do you have any “dream” knitting projects?
Shirley:
I have always wanted to make a pair of Norwegian stockings or Lithuanian mittens using the bright and traditional colors of wool yarn found in many foreign countries. Fancy patterned knitting has always intrigued me. 

Rhonda: What one thing do you want people to know about your work?
Shirley:
I try to make my products fun and usable with material that is natural and eco-friendly. I love to knit and I hope that feeling comes through with each item I make. 





Rhonda: What are your future goals for Stitches & Scraps workshop?
Shirley:
My immediate plans for Stitches & Scraps workshop is to continue to work on my current products for Practical Art and Etsy, adding a few new ones as I go along. I also will continue donating preemie and baby hats for newborns through the American Heart Association.  
What I would love to do is rent a large space. In one section I would set up a knitting corner with a selection of yarn and knit related supplies. There would be a round work table and chairs for knitters of all ages to gather, chat with one another, perhaps have some tea and work on their projects. 
In another section I would have scrapbooking supplies with a very large work table and chairs for scrapbook lovers to work on their projects. Classes could be held once or twice a month for anyone wanting to attend.  
And what would be ideal is to have a work space for artisans of all types. Just think of all the interesting people you would meet and how many different types of art you would see.  

But being the realist that I am, I know that financially I would not be able to pull that dream off.




Rhonda: Never say never. Shirley, can you provide links to your various sites for readers who'd like to see more of what you do?

Shirley: Love to...







     

  

5.07.2018

rainbows: everywhere

Strolling along,shopping,stopped in my tracks
by an unassuming rainbow. 




5.03.2018

haiku book review





Women, powerless.

But, not. They can resist. Rise.

They must resist. Rise.

The Handmaid's Tale
by Margaret Atwood


5.01.2018

smalls: neat, little shit

smalls /smôls/     noun     1. term used by collectors to describe neat, little shit

Today's Smalls: a collection of green ephemera from the 1980s,
kept because of the distinct memory attached to each
and also because, well, each piece is little and green


Beginning May 1, 2018, smalls: neat, little shit is a companion post shared as part of storm row studio's DRIFTWOOD series on Patreon. DRIFTWOOD includes public posts and Patron-only posts. In the case of smalls, STORIES Patrons gain exclusive access to the short stories and snippets inspired by neat, little things. To become a STORIES Patron, click here and sign up for the $2 monthly tier. Once you do, you'll get an immediate pass to the first-ever DRIFTWOOD: smalls - a neat, little tale.

3.01.2018

rmack: bookmaker, the backstory

Update:

From March 2018 through April 2018, the rmack: bookmaker - night flyer posts featured eight installments of my illustrated novel, Night Flyer. Because they were limited editions, I hope you found these free reads. If not, never fear. On May 1, 2018, the project moved into production mode and over the next month, as the book is built, I'll provide sneak peeks into that process. Patreon Patrons get full First Look posts, and soon, I hope to announce the completion of this rmack: bookmaker project with the sale of Night Flyer.

Want to become a Patron? Click here. Or sign up for storm row studio blog emails. Follow By Email is in the column to the right.

Below is the original post from March 1, 2018.

"The night I learned to fly I was running for my life. Not to save myself from being killed, just to save myself from Terry. I was eleven, living in that dingy trailer park with my mom. We were deep into spring at that point and most of the adult tenants of the park were out around rusting barbeques and vinyl-strapped lawn chairs. Lots of smoking, drinking, but laughing, too. I should have stayed with them, with Mom, but Terry’s daughter convinced me to go on an adventure with her."

~~~~~~~~~~~~~~~

The first paragraph of Night Flyer was written around ten years ago and with rough construction. At that time, the story consisted of five pages I typed in a quick sit. The sentences were so full of loneliness and fear that I whipped through them, desperate to get to the part where my character, Tara, was free. Writing to her moment of freedom—a few, short lines at the bottom of the fifth page—felt powerful. But it wasn’t until I read page five to a critique group that Tara’s power overwhelmed me. It caught in my throat. I choked it back. Later, I wondered, “Could one girl be this potent?”

If you’ve read any of my recent posts, you know how a year or so ago I came upon two lines of a Muriel Rukeyser poem that won’t leave me.


“What would happen if one woman told the truth about her life? The world would split open.”

Her question and answer have personal meaning for me, but they also, eerily, help me answer the question I asked myself all those years ago.

Yes, one girl can be this potent.

Of course, I’d been writing Tara’s story and creating her world in all the months and years between asking my question and finding Muriel’s words. In fact, around 2012, the novel took a critical turn. I elevated both the scientific and fantastical bird elements and, ta-da, finished a shitty first draft. My struggle wasn't over, though, because the story had social and political threads that were grounded in reality. Our world—the real world—was changing, but not in ways that could help Tara. At least not yet. Then, in 2016, a major political party nominated its first female presidential candidate and the rest is, well, flyer history. I revised and rewrote. I submitted the manuscript. To date, it's garnered interest, but no takers. And the world continues to revolve. And so must Night Flyer. Revolve out and around, where readers can find it.

Announcing rmack: bookmaker
A Storytelling & Bookmaking Project

Under Development:
Night Flyer - An Illustrated Novel

Beginning Monday March 5, Night Flyer will be available to read here on storm row studio blog. Companion book-building posts featuring Night Flyer art, illustration, and design will be available on storm row studio’s Patreon page. At the end of the project, Night Flyer will be an actual hold-in-your-hand book (or books).

An archive and a memoir, Night Flyer spans decades and binds two families in all their glorious and awful truths. At the center of it all? The luxurious, underground city of Meadowlark—home to humans who can fly—and one resistant flyer, Tara Landers, on a quest to destroy it. 

Told in six parts, with traditional chapters narrated by Tara, transcripts from an historian’s interviews, and diary pages, letters, and art shared between family members, the story lands Tara at the intersection of two unfamiliar worlds—politically upset Washington D.C. and corrupt Meadowlark. There, she must decide whether to take action or look the other way. Either choice will cause pain, but one also brings freedom.


Links to Previous rmack: bookmaker Posts

2.26.2018

rmack: bookmaker, the backstory


Art is personal. And no matter the type of art, work isn’t created in a vacuum. Each day craftspeople of all kinds come into contact with hundreds of process-affecting, idea-shaping things. What we do with those things matters. Use what inspires. Discard what distracts. Trust that the system works.

So, let's go back about ten years. To the day I read five quickly-written pages to a critique group. If I remember correctly, the pages got mixed reviews, but after reading aloud, I knew these not-a-story-yet pages meant something. The characters and events described on those pages were loosely inspired by my past, but I had the distinct feeling that, in order to develop a novel, I’d need to be inspired by the future. Inspired by things that hadn't happened yet. Important things.

Since that time, I have been inspired by current events and have added hundreds of written pages to the original five. I’ve submitted samples for professional critique and to agents and editors to consider for sale and publication. Different from the critique group meeting ten-ish years ago, the feedback improved and stabilized. I received encouraging words, direction, and invitations to resubmit revisions. As this writing-editing-submitting process proceeded, the world—our country—evolved and the future actually arrived. Present day circumstances changed the book. Changed me. And a few months ago, I stood, looking ahead, wondering, Where do I go from here?

I kinda knew the answer.

The thing is, last year was tough for me on many levels, but through the noise and mess four process-affecting, idea-shaping things showed up and stuck with me. Those things were:

The book A Glorious Freedom by artist Lisa Congdon (link below)

Graphic memoir author Lucy Knisley's Patreon page (link below)


An online novel-sharing project by author & blogger Lee Wind (link below)

and

Two lines of poetry from American poet Muriel Rukeyser



Individually, each of these affected the way I thought about my work. Together, though, their collective message filled my creative heart.

The message was:

Be honest. Show your work.

My inner voice chimed in:

Show work? Now? When nothing's perfect?

That's when I had the what-am-I-waiting-for moment. I told myself:

Nothing will ever be perfect. So, yes, now. I must tell the truth about my creative life now.

Joining Patreon was the first step. It was scary as hell. Still is. Next up is rmack: bookmaker and I'm feeling just as scared. But if somewhere, beyond today, I want bookmaking to be part of my normal creative process, I must begin. I hope you enjoy following along.

Episodes of rmack: bookmaker, the backstory

Mon Feb 26 - rmack: bookmaker, inspired by
Thurs March 1 - rmack: bookmaker, introducing Night Flyer

RMACK: BOOKMAKER INAUGURAL POST is MONDAY MARCH 5

Want to know more about the four inspirations above? Click links below.